Spring forward/fall back

Instead of opening your scenes with narration, use what I call (for want of a better term) the “spring forward/fall back” narrative device. A span of time usually passes between chapters and scenes. That’s the reason for those white-space breaks in the text. When you push the story forward to another point of action in a new chapter or scene, you should get the new scene going and then recap events that occurred in the interim, if you need to, quickly summarizing what happened since the end of the previous scene. In other words, you “spring forward,” then “fall back” briefly, and then pick up the action again. You do this to skip some boring stuff—or at least some less than compelling material that isn’t worth dramatizing. You’ll see professional novelists doing this all the time.

Note of caution: If your recap is long and detailed, then you shouldn’t have jumped so far ahead in story time. You should have just maintained the chronology of events and kept moving. A “fall back” recap that runs too long isn’t a recap anymore; it’s a flashback, which isn’t a device you want to use at or near the opening of a new chapter or scene.

Paul Thayer